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pseudonim/ 2012-05-05 08:20:08

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pseudonim/ 2012-05-04 08:55:06

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pseudonim/ 2012-05-03 09:44:36

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pseudonim/ 2012-05-02 09:14:44

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pseudonim/ 2012-05-02 08:15:11

There are several great prdouctions of Mozart\'s The Abduction from the Seraglio we are so fortunate to have many from which to choose.This one has very good singing, with the bonus of wonderful costuming and imaginative staging and scenery which add to the effect.OK, here are some specifics to support the above praise:The famous Traurigkeit aria is staged among the palm trees and sand under a setting sun\'s diminishing glow very effective touch.The Pasha seizes and kisses Konstanze as he threatens her with torture. She faints and collapses, remaining lifeless until her famous aria, Marten alle Arten. During this passionate plea, the Pasha collapses in frustration and cultural shock, and hides his face under his robes throughout her spirited exclamation that she will welcome death, which will set her free. (Her sustained notes toward the end of the aria should make you fall on your knees at the genius of Mozart!)It seemed to me a nice touch that Osmin (Kurt Rydl) snaps his fingers when he wants Blonde (Malin Hartelius) to feed him another olive. He does this from a relaxed position, lying in a sort of hammock, from which Blonde finally dumps him, trying to teach him that you win love through tenderness and coaxing, rather than by barking orders.Pedrillo (Manfred Fink) and Osmin (Kurt Rydl) dance to the spirited Viva Bacchus, and Osmin gathers some laughter from the audience when he holds to his chest the two wine jugs, as he speaks of his beloved Blonde.This is a very fun production that should remind you of why so many dearly love Mozart.

pseudonim/ 2011-09-19 18:19:35

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pseudonim/ 2011-09-18 10:24:28

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pseudonim/ 2011-09-17 18:38:11

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pseudonim/ 2011-09-17 16:40:14

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pseudonim/ 2011-09-17 03:06:22

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pseudonim/ 2011-09-15 15:37:40

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pseudonim/ 2011-09-14 21:12:58

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